It could be said that Calle’s work is based purely on scopophilia, at first we assume she is the voyeur that seeks to observe her subjects under surreptitious surveillance and decipher their lives purely by conjecture. However, possibly she is the one that wants to be scrutinized and un-picked by society due to her choice of subject. This use of the personal intimacy in her narratives can make the spectator a collaborator in exposing her violations of privacy.